Marsha Schuld

Bronze, stitchery (embroidery), glass (scroll down this page). Click the link to check out her printmaking, watercolours, and drawing

“I am a fierce proponent of the preservation of hand-craft and hand made. I feel the world is a richer place if we honour skills built over a lifetime by individuals devoted to their preservation.”

Marsha Schuld — Bronze & Embroidery

There are different ways of knowing, and some artists come to understand their world through the very materials they choose to work with. Such is the case with Marsha Schuld, a Southern Saskatchewan artist who has embraced multiple media as a means of making sense of her world and her life. With meticulous attention to detail in every element of her practice, Schuld invites us into a deeper appreciation of both embroidery and bronze —two mediums that, at first glance, might seem worlds apart, yet in Schuld's hands become complementary languages for expressing a unified artistic vision.

Schuld's multiplicity of approaches is not merely a matter of versatility — it is foundational to how she sees. Working across media affords her different views and perspectives, allowing her to visualize for us the way she interacts with life beyond her studio walls. She plays with combinations and juxtapositions of colour, shapes, values, and lines, and her solutions emerge from an inner dialogue among the artist, the idea, and the materials at hand. It is a constant process of decision-making: observing, listening, experimenting, focusing, and ultimately learning how to communicate through whichever medium best serves the expression. She pushes herself to explore beyond the ordinary, seeking out those moments that offer insights into both process and life itself. Whether in bronze or stitchery, she demonstrates a mastery of each fitting technique, finding the medium and the scale that allow for the strongest possible expression of a given idea.

Ultimately, what guides Schuld's choices is a conviction rooted in deep respect for hand-craft. As she states, "I am a fierce proponent of the preservation of hand-craft and hand made. I feel the world is a richer place if we honour skills built over a lifetime by individuals devoted to their preservation." It is this principle — paired with her ongoing journey of observation and impression — that informs her selection of the medium to match the message. By choosing the most suitable medium for each subject, she shows her ability to communicate across materials, reaching her audience from different angles while ensuring her message remains clear. Her works in bronze and embroidery process her response to nature, connecting her insight and viewpoint to a sense of place and offering viewers a feeling of belonging. From the perspective of southern Saskatchewan, her art speaks to that reality while expanding to encompass individual experience far beyond the prairie — drawing life from outside the studio into the studio to consider, evaluate, and reinterpret, saying something profound about what we are doing on this lovely planet.

Each day I go out to my studio and do what I do...

 

Sculpting, embroidery, and printmaking allows the artist to examine the essence of these animals.  The texture of fur or feathers, the way light shines on antlers and horn, the artist presents them in unconventional portraiture and with minimal colour or with a brilliant application of vivid colour to bring across the character and diversity of what she sees.

Marsha Schuld is a multi-media artist working out of her studio in southern Saskatchewan.  A lifelong artist, Marsha came to art as a career through all her other jobs and interests.

Largely self-taught, she has studied art formally through the University of Saskatchewan and arts programs at Red Deer College as well as attending numerous courses and workshops over the years in a variety of media.  That diverse background is shown in her art practice which ranges across painting to drawing, sculpting, stained glass and needlework. 

She received a second to none education from the skilled tutors at the Royal School of Needlework (RSN).  The result is a proudly earned Certification with Merit from the people who embroider the Queen's coronation robes.  To be included in this elite group of stitchers is a high honour indeed. 

Her artwork has been exhibited in solo and group exhibitions and won numerous awards. Her work is in corporate and public collections in Canada, the United Kingdom, and the United States.

“I believe strongly that we are a part of an integrated planet.  No one thing exists without affecting all that is Earth.  It is not “environmentalism” or “conservation” that drives me, though these things, to me, are the inevitable result of living fully.  The environment around me has always evoked within me strong emotion and equally strong devotion.  The basis for my work over the past 3 decades has been this which is near, that dictates my daily life and personal vision. 

The Alberta and Saskatchewan are a region of habitats that requires patience, time, and attention to detail for their treasures to be revealed. So, I look.  Closely.  Through my work I wish to make a convincing argument for the importance of wildness. It is not enough to simply tell people that it is important – they must be brought to a new level of understanding.  I want my work to prompt questions, to surprise, to charm and to convince the viewer that what they are seeing is worthy of notice, of protection, of honour.”

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