Roger Olson
wood-turner extraordinaire…
“I work in wood because it speaks to both tradition and transformation. The forms I turn—bowls, vases—draw from classical shapes that have endured because they work. But within that framework, there's endless room for nuance. Alberta’s native species like Box Elder and Poplar inspire much of my work, each piece revealing itself gradually as I turn and refine it. An eighth of an inch can change everything. For me, wood-turning is a dialogue: the material suggests, I respond. My aim is to create pieces that feel inevitable—shaped by nature, refined by hand.”
Hollow Turning + Padauk Rim V147, 2024, box elder, padauk, 4.5 x 8 inches (11.5 x 20 cm), $525 Cdn.
Hollow Turning Vase - Red V162, 2024, box elder burl, vacuum pot dyed, 6 x 5 inches (15 x 13 cm), $450 Cdn.
Burl Bowl (B210), 2023, box elder, turned, 2.75 x 11 inches (7 x 28 cm), $425 Cdn.
Ebonized Painted Bowl B225, 2024, return topped, turned, elm, 2 x 6.5 inches (5 x 16.5 cm), $400 Cdn.
Ebonized Carved and Turned Bowl B220, 2024, box elder, 2.75 x 6.75 inches (7 x 17 cm), $400 Cdn.

Natural Edge Box Elder Burl Vase (V160), 2024, turned, natural red highlights, 4.5 x 5.25 inches (11.5 x 13.5 cm), $400 Cdn.

Natural Edge Box Elder Burl Bowl (B215), 2024, turned, natural red highlights, 5.5 x 4 inches (14 x 10 cm), $400 Cdn.
Return Top - Beaded Elm Bowl B217, turned, 2.75 x 6.75 inches (7 x 17 cm), $325 Cdn.
Celtic Twist B203, mayday bowl, turned, carved & painted, 2.75 x 7.5 inches (7 x 19 cm), $325 Cdn.

Natural Edge Box Elder Burl Vase (V161), turned, natural red highlights, 4.5 x 4.25 inches (11.5 x 11 cm), $225 Cdn
Ebonized Carved Beaded Bowl B224, box elder burl, 2.5 x 4.25 inches (6.5 x 11 cm), $200 Cdn.
Sweet Little Turned Bowl B221, 2024, box elder burl, 2.25 x 5.25 inches (5.5 x 13.5 cm), $200 Cdn.
Sweet Little Turned Bowl B223, 2024, box elder, 1.75 x 5.75 inches (4.5 x 14.5 cm), $200 Cdn.
Sweet Little Turned Bowl B222, 2024, box elder, 2 x 5 inches (5 x 13 cm), $200 Cdn.
Wood Ring (box elder burl, bird's eye maple bent wood, .925 silver), size 12.5, turned, vacuum pot dyed, durable CA finish, lined with bent wood, $175 Cdn.
Classic Sweet Little Mayday Bowl B204, turned, 2.5 x 6.25 (6.5 x 16 cm), $150 Cdn.
Ebonized Lidded Box (Bx16), 2024, carved, turned, box elder, 3.5 x 3.25 inches (9 x 8.5 cm), $150 Cdn
Lidded Figured Maple Box BX18, 2024, turned maple, 3 x 4.5 inches (7.5 x 11.5 cm), $150 Cdn.
Hollow Turning V163, 2024, mountain ash, 3.25 x 6 inches (8.5 x 15 cm), sold.
Twenty-Two (22) Roger Olson Miniature Lidded Boxes were selected for and added to the G7 2025 Leader's Gifts. Being selected means his work now resides in Ottawa, Tokyo, Washington D.C., London, Rome, Paris, and Berlin. How incredible is that?
Verso of G7 Box

Wide-Textured Rim Bowl (B211), 2023, mahogany, turned and textured, 1.75 x 9 inches (4.5 x 23 cm), sold.

Lidded Box (BX14), 2023, box elder burl, turned, 3.75 x 2.5 inches (9.5 x 6.5 cm), sold.

Box Elder Burl Bowl (B216), turned, natural red highlights, 5 3/8 x 2.75 inches (13.5 x 7 cm), sold.
Apple Blossom Vase, turned, ebonized and textured apple wood, 3 x 5.5 inches (8 x 14 cm), sold.

Lidded Box (BX12), 2023, box elder burl, cocobolo, abalone shell, turned, carved, inlaid, 3.5 x 2.5 inches (9 x 6.5 cm), sold.
Fine Craftsmanship
+
Terrific Design
I love wood and the freedom of expressing what I want.
I trust my eye.
New expressions come from not being afraid to challenge an original idea.
The bowls, vases, and furniture pieces that Roger Olson creates from box elder (Manitoba maple), mayday, cherry, local poplar, and other woods reflect his deep enjoyment of working with his hands.
From the graceful lines of a spalted maple vase to the finely crafted design of a cherry and poplar table, Olson's work showcases both his craftsmanship and imagination. Classic forms of bowls and vases resonate most with him. While there is really nothing new in terms of shape—since it’s all been done before—certain forms always return because they are timeless and aesthetically pleasing. He strives to present these enduring forms in his work.
Collections:
Governor General of Canada Collection
G7 2025 (Kananaskis) Leaders’ Gifts
Private collections: Hong Kong, United Kingdom, Germany, Switzerland, France, Italy, Japan, Ireland, the United States, and across Canada.
*****
Roger Olson is a master wood artist and cabinetmaker based in Southern Alberta. With nearly five decades of experience and a carpentry apprenticeship from the Southern Alberta Institute of Technology (SAIT), he brings an exceptional level of skill and intuition to his craft. Beginning with woodworking conferences and tool shows in Western Canada, his career has evolved to include solo exhibitions and international recognition. His work is featured in private and public collections across the globe, including the Governor General of Canada’s Collection and the G7 2025 (Kananaskis) Leaders’ Gifts. Olson continues to create from his studio, where each piece is both a study in precision and a testament to his lifelong engagement with wood.
Roger collects and cures wood for years, with a particular focus on species native to Alberta such as Box Elder (Manitoba Maple) and Poplar. While the size, shape, and grain of the wood dictate the piece's inherent form, Roger often manipulates it in various ways to bring his unique vision to life. Many decisions are made during the turning process. Sometimes, stepping back from the lathe and taking a long look at a piece helps him discern what feels right or wrong. Even an eighth of an inch can make all the difference. He trusts his eye, knowing that new expressions often arise from challenging original ideas.
Roger had solo exhibitions at the Lethbridge Public Library and at the Galt Museum, Lethbridge (2008) and two solo exhibitions at the Willock & Sax Gallery (2001, 2006) as well as being the Gallery’s feature artist in August 2019. Early in his art practice Olson took part in Woodturning Conferences across Western Canada and the Alberta Woodworking & Tool Shows, where his work was exhibited and received high honors.
The artist lives in Southern Alberta and has worked with wood for close to 50 years. He is a cabinetmaker by trade stemming from a four-year apprenticeship degree in carpentry from the Southern Alberta Institute of Technology (SAIT). He began woodturning by attending workshops given by Dr. Jim Farr.