Charles Lewton-Brain RCA

  • 2012 recipient of the Saidye Bronfman Award for Fine Craft

  • Fellow of the Society of North American Goldsmiths

  • Fellow of the Gemological Association of Great Britain

We offer a rare and comprehensive survey of Charles Lewton-Brain's evolving practice, spanning from his student days to the present. It provides an opportunity to view his research and design experimentation through the lens of time. These selected works offer profound insight into the artist's creative process, highlighting his enduring fascination with drawing and the dynamic tension between nature and structure.

Featured is a diverse array of pieces, including tie pins, brooches, earrings, rings, bracelets, wall pieces, bowls, and vessels.

Quantum Wave Tie Pins & Bracelets

  • Colour Categories

    Colour categories indicate the temperature at which steel has been heated.

  • For Example

    — straw yellow at 350°F (176.7°C) and blue at 650°F (343.3°C).

  • Caution:

    Magnetic devices should NOT be used by individuals with a pacemaker.

Earrings

Bracelets

Swoop Series + Brooches, Tie-Tacks & Pins

Swoop Series Statement

The swoop series uses 18 and 24k gold double (or laminate) to allow me to draw in patterns and marks on the surface of the objects. They are about movement, moving from the flat plane into space, intrusions into space. I thought of them as a kind of print making, in terms of the layers of discrete decisions, one stacked onto another. Outside shape, drawn pattern, paper die printing the surface detail, 3D relief decisions, scoring and bending, soldering, construction details for function like holding pinback systems (often using cut and slot construction to integrate the separate components), setting, final colouring. I think of all of this as drawing. They explore space, stand off the body, create shadows and light streaks as you move (a traditional function of Asian jewellery) and this animates the work, it is more interactive with the observer and your environment.

Neck Pieces

Rings

Vessels, wall pieces, and bowls.

Bowls and Vessels Series

The bowl as a form has been important to me for many years. A bowl is a container, a Vessel.

The word vessel is interesting because it always is about life. A blood vessel, the body is the vessel of the Soul, a ship is a vessel tossed on the sea. A vessel always contains or implies life. That is part of my interest in the bowl. So my bowls are vessels.

In French philosophy, a big question has been “Is it the Inside or the Outside?”. Basket Makers and Potters are very concerned with this issue, and they usually insist of photographs of their work at an angle that shows both. In metals, the transition from inside to outside is very important.

Process and the nature of the material inspires me.

My work is about drawing, about mark making with material and the tension between nature and structure. Allowing the materials to do the work, letting nature show in the work lends it a ‘beauty’ that I cannot easily reach by forcing form onto the material. The marks of process are compositional elements.

My vessels are not necessarily functional. You can put things in them, but as many are patinated (though heavily sealed with non-reactive sealants) are more about the form of vessel than about eating from. Presentation of foodstuffs is fine.

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