Charles Lewton-Brain RCA

 

April 20 to May 17

This career exhibition is a rare survey of different periods of my work, with examples from my student days up through the present.  It is a chance to see my research and design experimentation in the light of time. Carefully selected by Susan and Tom these works are a deep insight into my process, my interest in drawing, in exploring the tension between nature and structure.

The exhibition includes brooches, earrings, rings, bracelets, wall pieces, bowls, and vessels.

Bracelets

  • 2012 recipient of the Saidye Bronfman Award for Fine Craft

  • Fellow of the Society of North American Goldsmiths

  • Fellow of the Gemological Association of Great Britain

Swoop Series + Brooches, Tie-Tacks & Pins

  • 2012 recipient of the Saidye Bronfman Award for Fine Craft

  • Fellow of the Society of North American Goldsmiths

  • Fellow of the Gemological Association of Great Britain

Swoop Series Statement

The swoop series uses 18 and 24k gold double (or laminate) to allow me to draw in patterns and marks on the surface of the objects. They are about movement, moving from the flat plane into space, intrusions into space. I thought of them as a kind of print making, in terms of the layers of discrete decisions, one stacked onto another. Outside shape, drawn pattern, paper die printing the surface detail, 3D relief decisions, scoring and bending, soldering, construction details for function like holding pinback systems (often using cut and slot construction to integrate the separate components), setting, final colouring. I think of all of this as drawing. They explore space, stand off the body, create shadows and light streaks as you move (a traditional function of Asian jewellery) and this animates the work, it is more interactive with the observer and your environment.

Earrings

  • 2012 recipient of the Saidye Bronfman Award for Fine Craft

  • Fellow of the Society of North American Goldsmiths

  • Fellow of the Gemological Association of Great Britain

Neck Pieces

  • 2012 recipient of the Saidye Bronfman Award for Fine Craft

  • Fellow of the Society of North American Goldsmiths

  • Fellow of the Gemological Association of Great Britain

Rings

  • 2012 recipient of the Saidye Bronfman Award for Fine Craft

  • Fellow of the Society of North American Goldsmiths

  • Fellow of the Gemological Association of Great Britain

Vessels, wall pieces, and bowls.

  • 2012 recipient of the Saidye Bronfman Award for Fine Craft

  • Fellow of the Society of North American Goldsmiths

  • Fellow of the Gemological Association of Great Britain

Bowls and Vessels Series

The bowl as a form has been important to me for many years. A bowl is a container, a Vessel.

The word vessel is interesting because it always is about life. A blood vessel, the body is the vessel of the Soul, a ship is a vessel tossed on the sea. A vessel always contains or implies life. That is part of my interest in the bowl. So my bowls are vessels.

In French philosophy, a big question has been “Is it the Inside or the Outside?”. Basket Makers and Potters are very concerned with this issue, and they usually insist of photographs of their work at an angle that shows both. In metals, the transition from inside to outside is very important.

Process and the nature of the material inspires me.

My work is about drawing, about mark making with material and the tension between nature and structure. Allowing the materials to do the work, letting nature show in the work lends it a ‘beauty’ that I cannot easily reach by forcing form onto the material. The marks of process are compositional elements.

My vessels are not necessarily functional. You can put things in them, but as many are patinated (though heavily sealed with non-reactive sealants) are more about the form of vessel than about eating from. Presentation of foodstuffs is fine.

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Bradley Keys

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Roger Olson