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Jean Sheppard
- Lino-Block Prints: Florals, Landscapes, Cats, Cows
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Relief Prints: the relief category, the oldest
method of printing, includes woodcut, wood engraving, linocut, and
claycut. The major difference between a woodcut and a wood engraving is
that the block used for a woodcut is cut from the length of a tree.
Linoleum, clay, the newer material, lucite or other hard substances are
used in addition to wood.
(Roed Cochran, Bente. Prints, A Primer for the
Purchaser. Edmonton, AB: Alberta Culture Visual Arts, 1980)
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Cats and Cows
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| Black Cat Resting |
| lino-block/handmade paper, ed.25 |
| 3x6" |
| $55.00 CDN unframed
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| White Cat Resting |
| lino-block/handmade paper, ed.25 |
| 3x6" |
| $55.00 CDN unframed
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| Cat IV, 2002 |
| lino-block/handmade paper, ed.50 |
| 6x6" |
| $70.00 CDN unframed |
| $150.00 CDN framed/metal
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| Lunch I, 2001 |
| lino-block/handmade paper, ed.50 |
| 6x6" |
| $70.00 CDN unframed |
| $150.00 CDN framed/metal
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| Cat on a Pillow, 1999 |
| lino-block/handmade paper, ed.25 |
| 4x4" |
| $45.00 CDN unframed
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| Cat on a Striped Pillow, 1999 |
| lino-block/handmade paper, ed.25 |
| 4x4" |
| $45.00 CDN unframed
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| Cats Descending a Staircase, 2001 |
| lino-block/handmade paper, ed.25 |
| 8x4", unframed |
| $70.00 CDN
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| Cat Washing, 1999 |
| lino-block/handmade paper, ed.25 |
| 4x4", unframed |
| $45.00 CDN
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| Say, Hay, 2003 |
| lino-block/handmade paper, ed. 15, 6x6",
SOLD OUT
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| Cat III, 1997 |
| four color linoblock/paper, ed.4,
6x6", SOLD OUT
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Florals: Wildflowers and Irises
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| Fairy Bells |
| linoblock/paper, ed.15 |
| 4x6" unframed |
| $55.00 CDN
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| Mountain Lady Slipper III, 2006 |
| lino-block/paper, ed.16 |
| 6x6" |
| $70.00 CDN unframed |
| $150.00 CDN framed/metal
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| Glacier Lily I, 1998 |
| lino-block/paper, ed.100 |
| 6x4" |
| $55.00 CDN unframed |
| $140.00 CDN framed/metal
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| Mountain Lady Slipper I, nd |
| lino-block/handmade paper, ed.100 |
| 6x4" |
| $55.00 CDN unframed |
| $140.00 CDN framed/metal
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| Clematis II, nd |
| lino-block/paper, ed.100 |
| 6x9", unframed |
| $75.00 CDN
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| Glacier Lily II, 1997 |
| lino-block/paper, ed.100 |
| 6x9", unframed |
| $75.00 CDN
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| Mountain Lady Slipper II, 1997 |
| lino-block/paper, ed.100 |
| 6x9", unframed |
| $75.00 CDN
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| Clematis I, 1998 |
| lino-block/paper, ed.100 |
| 4x6", unframed |
| $55.00 CDN
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| Shooting Star I, 2001 |
| lino-block/paper, ed.100 |
| 4x6", unframed |
| $55.00 CDN
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| Columbine I, 1999 |
| lino-block/paper, ed.25 |
| 4x4", unframed |
| $45.00 CDN
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| Gaillardia II, 2000 |
| lino-block/paper, ed.25 |
| 7x7", unframed |
| $85.00 CDN
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| Cosmos Variations II, 1999 |
| lino-block/paper, ed.25 |
| 4x4", unframed |
| $45.00 CDN
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| Sunflowers I, 2000 |
| lino-block/paper, ed.25 |
| 6x6", unframed |
| $70.00 CDN
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| Iris I, 2000 |
| lino-block/paper, ed.25 |
| 6x6" |
| $70.00 CDN unframed
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| Iris II, 2001 |
| lino-block/paper, ed.25 |
| 6x6", unframed |
| $70.00 CDN
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| Iris III, 2001 |
| lino-block/paper, ed.25 |
| 6x4", unframed |
| $55.00 CDN
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Landscapes
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| Mountain Scene, 1999 |
| lino-block/paper, ed.25 |
| 4.5 x 4.5" |
| $45.00 CDN unframed |
| $120.00 CDN framed
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| Granaries, 1999 |
| lino-block/paper, ed.25 |
| 4x4" |
| $45.00 CDN unframed |
| $120.00 CDN framed
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| Whaleback I, 2001 |
| lino-block/paper, ed.25 |
| 4x4" |
| $45.00 CDN unframed |
| $120.00 CDN framed
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| Whaleback II, 2005 |
| linoblock/paper, ed.20 |
| 4x4" |
$45.00 CDN unframed
$120.00 CDN framed
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Artist’s
Statement
The
land has a powerful grip on Canadians. It defines us and shapes us. It has
incredible beauty and for centuries landscape painters have attempted to
capture this beauty on paper or canvas. I have lived and travelled in many
parts of Canada, but I do not think there is any other part of the country
that possesses the scenic variety of the small corner of southwestern
Alberta where I now live. For the last ten years my painting has
concentrated mainly on the prairies and foothills of this area. For this
exhibition I have moved into the mountains and valleys in and around
Waterton Lakes National Park.
Colour
is what drives me, impels me to try to put an image on paper.
When I come across a scene that inspires me it is usually the
colour that has attracted me. In attempting to capture these images I do
not literally recreate the scene but rather, using the pure colour of soft
pastels, I modify, exaggerate, and alter to emphasize and suggest certain
elements of the scene. The resulting painting will be an impression of the
actual scene. In Waterton Lakes National Park, where “the prairies meet
the mountains”, there are many opportunities to portray the bright green
and gold of the prairies and aspen forests that I have enjoyed doing in
the past. Moving into the mountains changed my palette to the dark greens,
blues and purples of the evergreen forests and the mountains.
I
use soft pastels almost exclusively for my work. There is no other medium
that provides the intensity and richness of colour that I like.
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Biography
Jean
Sheppard paints what is around her. And, what is around her is an
incredible variety of scenery ranging from stunning mountain views to
subtle prairie scenes. But, for Jean even more important, than the
variety in scenery, is the palette of colours the scenes present. No matter
how many times she travels from Pincher Creek to her in the Rocky Mountain
foothills the view and the
colours are different, from the soft wintry washes of yellow, blue and
brown to the brilliant, almost unreal greens, blues and purples of spring.
This scenery is a constant source of inspiration for anyone interested in
landscape painting and it would take several lifetimes to capture the
total range and mood of the scenery in this part of the world.
In the mid-1960’s, Jean started
painting in oils and a little with watercolors. This was done as a hobby
and without instruction. In the early seventies, she took a number of
non-degree classes in pottery at the University of Regina and a glaze
class at the Vancouver College of Art. After moving to Alberta, she set up
a studio beside her house and worked as a professional potter. In the fall
of 1992 Jean began working with soft pastels.
She was quickly hooked – no stretching paper, no waiting for
paint to dry. She could set up quickly, in limited space. In 1998, after 25 years, Jean retired from making pottery and
has concentrated on pastels and, occasionally, lino block printing.
Although she has painted everything from landscapes to still life,
and florals to portraits, it is landscapes and florals that Jean enjoys
doing the most.
Jean was
born, raised and educated in Ottawa, Ontario and received a B.Sc (Hon.) in
Biology from Carleton University in 1963. After obtaining a M.Sc. in
Biology from the University of Saskatchewan in 1968, Jean worked for about
five years in the Biology Department of the University of Regina. In 1977
her husband Dave, retired from teaching at the University of Regina, so
Jean and Dave, with their three-year-old daughter Kathy, moved to the
foothills of southern Alberta. They
built a log home and have lived there ever since.
Jean is a member of the Pastel Society
of Canada (PSC).
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