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Mixed Media Paintings and Charcoal Drawings
including works from the Kamchatka Grizzlies Series and Connections Over Time and Space Series.
(scroll down the page to see each series pieces)
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Kamchatka Grizzlies Series
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| Kamchatka #2, 1995 |
| mixed media/paper |
| 25x18", framed |
$2800.00 CDN
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| Brandy, Lemon, and Lime, Ittleman Bay, 2002 |
| mixed media/paper |
| 25x30", framed |
$3550.00 CDN
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Lasting Outlook, Biscuit, 2004
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mixed media, cast objects,
oil/canvas
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22x28", framed
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$4575.00 CDN
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Imprint 2, 2002
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mixed media/paper
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18x24", framed
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$2800.00 CDN
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 click here for a larger image
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On Guard - Chico
and Biscuit, 1999-2000
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mixed media/canvas
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60x48", framed
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$15,000.00 CDN
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Upon Examination,
2002
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oil and mixed
media/canvas
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24x36", framed
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$5500.00 CDN
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Biscuit Full of Fish 2001
multi media/paper
18x24", framed
$2450.00 CDN
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Rosie was in many ways the
character of the trio. She was always off in a world of her own,
checking into things that did not much interest her sisters. The others
would be barging along and suddenly realize that Rosie was not with
them. They would stop and wait, or go back for her. Maureen called Rosie
the artist of the family"
(Grizzly Heart,
p.146)
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| Biscuit and Chico: Bears in Motion, 2001 |
| mixed media/paper |
| 30x22.5", framed |
$3675.00 CDN
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"I felt it was very important that
the exhibition address the ability and desire of the audience to
understand art"
(Maureen Enns, on her September 2000 solo
exhibition in Moscow, Russia - Grizzly Heart, p.342)
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Connections Over Time and Space Series |
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| Wildies of the Ghost Forest, 2007 |
| mixed media/canvas |
| 30x40" |
$7850.00 CDN
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| Lost Herds, 2007 |
| mixed media/paper |
| 30x22", framed |
$4775.00 CDN
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| El Churcal, 2006 |
| mixed media/paper |
| 22x15", framed |
$2975.00 CDN
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After spending a extended period in Northern Argentina in February, 2006, I was given a rare opportunity to closely view and study the pictographs (rock paintings) of the Incas. The experience of seeing firsthand the unique expressions of Pre-Columbian people inspired a body of paintings and drawings. Using Incan pictographs to serve as metaphors for what humanity destroys and only values later as an historical object, I hope to bring greater awareness to urgent issues affecting Alberta.
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