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Bibliography

A listing on
art, artists, art books, Banff, Waterton, and related issues of interest

 

"As artists we need to claim boldly that our way of learning by doing gives us a different and valuable way of seeing. Others need to accept and respect that our way of seeing and knowing our world is an important element of our human understanding" 
(
Stoffel Overvoorde, Chris. Passing the Colors. Engaging Visual Culture in the 21st Century. Grand Rapids, MI: William B. Eerdmans Publishing Co., 2002:59).

 

Acland, Joan.  “Elitekey: The Artistic Production of the Mc’Kmaq Women” in RACAR XXV, 1-2/1998 (2001), 3-11.

 

Adams, Laurie Schneider.  Art Across Time. 3rd ed.  Boston: McGraw Hill, 2007.

 

_______.  The Making and Meaning of Art.  Upper Saddle River, N.J.: Pearson Prentice Hall, 2007.

 

Ahenakew, Freda. ed., How the Birch Tree Got Its Stripes. A Cree Story for Children, Saskatoon, SK: Fifth House, 1988.  Illustrated by George Littlechild.  ISBN 0-920079-38-5

 

________.  How the Mouse Got Brown Teeth. A Cree Story for Children, Saskatoon, SK: Fifth House, 1988.  Illustrated by George Littlechild.  ISBN 0-920079-40-7

 

Ainslie, Patricia, "A Lifelong Journey: The Art and Teachings of H.G. Glyde,"  Exhibitions, Edmonton, AB.: The Edmonton Art Gallery, Autumn 1988, 8-10.

________.  Margaret Shelton Block Prints 1936-1984, Calgary, AB: Glenbow Museum, c.1986.

 

Alberta Craft Council, "2 Guys 1 Medium" New Glass Works by Darren Petersen and Todd Sofronovich", Alberta Craft Magazine, Fall 2003, 1.

 

Anderson, Lorraine, ed. Sisters of the Earth. Women's Prose and Poetry About Nature. New York: Vintage Books, 2003.

 

Andersson, Ron E., John Chalke: Plates and Two Baskets, Edmonton, AB: Edmonton Art Gallery, 1975.

________.  Watercolor, Edmonton, AB.: Edmonton Art Gallery, n.d.

 

Andrews, Malcolm.  Landscape and Western Art.  Oxford History of Art Series.  Oxford: Oxford University Press, 1999.

 

Arneson, H.H. and Marla F. Prather, History of Modern Art.  Upper Saddle River, N.J.: Prentice Hall, Inc., 1998.

 

Baker, Suzanne Devonshire.  Artists of Alberta.  Edmonton: University of Alberta Press, 1980.

 

Banting, Pamela, "Grizzly Seasons: Life with the Brown Bears of Kamchatka" (book review) AlbertaViews, January/February 2004, 74.

 

Barnard, Malcolm.  Approaches to Understanding Visual Culture.  New York: Palgrave, 2001.

________.  Art, Design and Visual Culture.  New York: St. Martin’s Press, 1998.

________.  Fashion as Communication.  London: Routledge, 1996.

 

Barthes, Roland.  Image, Music, Text.  New York: Hill & Wang, 1977.

________. Mythologies. New York: Hill & Wang, 1972.

 

Belton, Robert J.  Sights of Resistance Approaches to Canadian Visual Culture.  Calgary: University of Calgary Press, 2001.

 

Berger, John.  Ways of Seeing, London:  British Broadcasting Corps. and Penquin Books, 1987.

 

Bewski, Donna, "Something to Celebrate: Twelve Alberta artists are inducted into the Royal Canadian Academy of Art," AlbertaViews, July/August 2002, 60-1. (see references to John Chalke

 

Bingham, Russel, Cubism Revisited, The Paintings of Douglas Haynes, Edmonton, AB.: Edmonton Art Gallery, 1985.

 

Blodgett, E.D., "Prairie Museum", Arché/Elegies. Edmonton, AB: Longspoon Press, 1983, 38 (see reference to John Chalke)

 

Boas, Franz.  Primitive Art.  New York: Dover Publications, Inc., 1955.

 

Bouchard, Gilbert, "Gushul Gift" in Legacy Magazine, February-April 1999, 10-13.

________, "Our Native Waterways" in Legacy Magazine, February-April 2000, 6-9. (see reference to H.G. Glyde

________, "Taoism inspires flower project" in Edmonton Journal, 6 February 2004, E12. (an article on Robert Sinclair)

________. "Urban vistas, rural skies influence landscape art." The Edmonton Journal, 12 April 2002. (see reference to Dick Der)

 

Bowerman, Amber, "Gilding the Glacier, Seven artists paint the Columbia Icefields," AlbertaViews, May/June 2003, vol.6, no.3, 40-3.

 

Bradley, Richard.  An Archeology of Natural Places.  London: Routledge, 2000.

________.  The Significance of Monuments on the Shaping of Human Experience in Neolithic and Bronze Age Europe.  London: Routledge, 1998.

Bradley, Ross, "Art Banking, Recent Additions to the Alberta Foundation for the Arts Collection" in Legacy Magazine, February-April 1999, 14-5.

 

Brown,Annora, Annora Brown, Sketches From Life, Edmonton: Hurtig Publishers Ltd., 1981 (1st Edition).

________. Old Man’s Garden, Toronto: J.M. Dent & Sons (Canada) Limited, 1954 (1st Edition).

 

Brown, Elizabeth,  Beauty Pageant, paintings by Maureen Enns,  Banff, AB: Peter Whyte Gallery, 1985.

 

________,  Realities Abstracted,  Banff, AB.: Peter Whyte Gallery, 1983.

 

Buchanan, Donald W., The Growth of Canadian Painting, Toronto: William Collins Sons and Co., 1950.

 

Bullock, Virginia, Kunstfeest Diversity, Grand Rapids, MI.: Calvin College Center Art Gallery, 1997. (references Chris Stoffel Overvoorde)

 

Burns, Kay, "Mysticism in the everyday, Printmaker combines biology and spirituality," Fast Forward, 14 September 2000, vol.5, no.38 (article on D. Helen Mackie)

 

Büttner, Nils.  Landscape Paintings: a history.  New York: Abbeville Press, 2000.

 

Cameron, Charlotte, "A Portrait of Abstract Painter Douglas Haynes" in Legacy Magazine, Spring 2004, 6-9.

 

Cameron, Donald. Campus in the Clouds. Toronto, ON.: McClelland and Stewart Ltd., 1956. (beginnings of the Banff School)

 

Canadian Eskimo Arts Council,  Sculpture/Inuit. Sculpture of the Inuit: masterworks of the Canadian Arctic,  Toronto: University of Toronto Press, 1971.

 

Carr, Emily. The Complete Writings of Emily Carr, with an introduction by Doris Shadbolt. Vancouver: Douglas & McIntyre, 1997.

 

Chadwick, Whitney.  Women, Art, and Society.  London: Thames & Hudson, 1990.

Chalmers, Ron, "Recorded Music review" in Legacy Magazine, Winter 2003, 54. (see review on Stewart MacDougall)

 

Chipp, Herschel B., Theories of Modern Art, A Source Book by Artists and Critics, Berkeley: University of California Press, 1968.

 

Clark, Kenneth.  Landscape Into Art.  New York: Harper & Row, Publishers, 1979.

 

Clifford, Shirley, "A Matter of Clay. Canadian Ceramics on Show."  Ceramics: Art and Perception, 2002 No.48, 76-81.

 

Collins, Jeff, "Celebrating Chalke," Alberta Craft Magazine, March April 2001, 7-9.

 

Conlin, Kevin and Chris Reid, Contemporary Prairie Clay, Brandon, MB.: Art Gallery of Southwestern Manitoba, 2002. (see reference to John Chalke)

 

Cramp, Beverly, “Otto Rogers” Galleries West, Spring 2007, 32.

 

Crandell, Gina.  Nature Pictorialized.  Baltimore: John Hopkins University Press, 1993.

Craske, Matthew.  Art in Europe 1700-1830.  Oxford: Oxford University Press, 1997.

 

Crean, Susan ed.  Opposite Contraries: the unknown journals of Emily Carr and other writings.  Vancouver: Douglas & McIntyre, 2003.

 

________. "The Female Gaze: If You Knew Emily: A Reevaluation of Carr's Painting and Writing." Canadian Art, 8 (Spring 1991), 17-18.

 

Danto, Arthur C., After the End of Art, Contemporary Art and the Pale of History.  Princeton, N.J.: Princeton University Press, 1997.

________, The State of the Art.  New York: Prentice Hall Press, 1987.

 

Dawn, Leslie.  National Visions, National Blindness. Canadian Art and Identities in the 1920s.  Vancouver: University of British Columbia Press, 2006.

 

Delahunt, Michael.  ArtLex Art Dictionary. http://www.artlex.com/

 

Dickenson, Victoria.  Drawn From Life, Science and Art in the Portrayal of the New World.  Toronto: University of Toronto Press, 1998.

 

Doig, Ian, "John Chalke, Earth and Fire," WHERE Calgary Magazine, Spring 2002, 10-2.

 

Downie, Glen, "How Poems Work. from Trouble Sleeping by Phil Hall". The Globe and Mail, 17 November 2001, D26.

 

Dudley, Wendy, "A Place for Art and Artists," Legacy Magazine, Winter 2001, 6-9, 52-3.

 

Dyer, Gillian, Advertising As Communication,  Studies in Communication, London: Routledge, 1989.

 

Dyer, Richard.  The Matter of Images: Essays on Representations.  London: Routledge, 1993.

 

________.  "International Albertans: Charlie Russell and Maureen Enns," AlbertaViews, July/August 2002, 34-5.

 

Edgar, Andrew and Peter Sedgwick, eds.  Cultural Theory The Key Concepts.  Routledge Key Guides.  London: Routledge, 2005.

 

Enloe, Cynthia, Bananas, Beaches, and Bases. Making Feminist Sense of International Politics. Berkeley, CA.: University of California Press, 1990.

 

Enns, Maureen and Debbie Thomas, Grizzly Kingdom: An Artist’s Encounter, Calgary, AB.: Detsellig Publishing, 1995.

 

Enns, Evans & Ulrich,  for a traveling exhibition: Banff, Lethbridge, Spokane, Calgary,  1977-1978.

 

Ewen, Anne, Les Manning: Clayscapes, Banff, AB.: Peter Whyte Gallery, 1979.

 

Exhibition of work by teaching staff of the Department of Art and Design, University of Alberta : September 14 to October 27, 1985.  Ed. Terry Fenton.  Edmonton: University of Alberta Department of Art and Design, 1985.  Published in conjunction with the exhibition “Exhibition of work by teaching staff of the Department of Art and Design, University of Alberta.”

 

Fabozzi, Paul F. Artists, Critics, Context - Readings in and around American Art since 1945. Upper Saddle River, N.J.: Prentice Hall, 2002.

 

Federling, Douglas, ed.  Documents in Canadian Art.  Peterborough, ON.: Broadview Press, 1987.

 

Fenton, Terry and Karen Wilkin.  Modern Painting in Canada: Major Movements in Twentieth Century Canadian Art.  Edmonton: Hurtig Publishers, 1978.

 

Fernie, Eric.  Art History and Its Methods: A Critical Anthology.  London: Phaidon Press Ltd., 1995.

 

Forbes, Deborah, "International artists strut their stuff at Medalta," The Medicine Hat News, 17 June 2000, B2

 

Fraser, Fil, Alberta's Camelot, Culture and the Arts in the Lougheed Years, Edmonton: Lone Pine Publishing, 2003.

 

Geary, John, "Helen Mackie: Art and Science," WHERE Calgary, Summer 2001, 9-11.

 

Goble, Frank, The 20 Cent Men, Cardston,AB: Goble Publishing Ltd., 2000 (an account of the construction of the Chief Mountain Highway)

 

Gogarty, Amy, "Dee Fontans: Performing Ornament," Metalsmith, Spring 2004, 20-9.

 

Grand Rapids Art Museum, Chris Stoffel Overvoorde, A Life in Art, DVD on retrospective exhibition June 20 - September 14, 2003.

 

Grant, George Monro. Picturesque Canada: the country as it was and is. Illustrated under the supervision of Lucius R. O'Brien. Toronto: Belden, c1882. 

 

Greenfield, Val and Kathleen M. Compton, Frank Vervoort 1930-1983 In Tribute, Calgary, AB.: Alberta College of Art, 1984.

 

Gustafson, Paula, "Maureen Enns: Through the Eyes of the Bear." Artichoke, Summer 2000, 53.

 

________. "Site Specific: Helen Mackie," Artichoke, Spring 2001, vol.13, no.1, 24-5.

 

Gwyn, Sandra, "Introduction," 1-9, and "The Visual Arts," 10-27 in Women in the Arts in Canada, Vol. 7 (Ottawa: Royal Commission on the Status of Women, 1971).

 

Haig, Bruce. Following Historic Trails: Paul Kane Artist. Calgary AB: Detselig Enterprises Ltd., 1984.

 

Handley, Arne, "Luke Lindoe 1913-2000," Alberta Craft Magazine, March/April 2001, 10.

 

Harper, J. Russell.  Painting in Canada: A History.  2nd Ed.  Toronto: University of Toronto Press, 1977.

 

Harris, Jonathan.  The New Art History A Critical Introduction.  London: Routledge, 2001.

 

Harris, Leslie Ellen, Canadian Copyright Law 3rd Edition,  Toronto: McGraw-Hill Ryerson, 2001.

 

Hartt, Frederick.  History of Italian Renaissance Art. 3rd ed.  Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1987.

 

Heidenreich, C. Adrian and Virginia L. Heidenreich, Montana Landscape One Hundred Years (1830s-1930s), Billings, MT: Yellowstone Art Center, 1982.

 

Heim, Suzanne M., Ladders to Heaven, Our Judeo-Christian Heritage 5000 B.C. - A.D. 500. Toronto: Royal Ontario Museum, 1979.

 

Held, Julius S. and Donald Posner.  17th and 18th Century Art.  Saddle River, N.J.: Prentice Hall, Inc. and Harry N. Abrams, Inc.

 

Hepburn, Tony, "On Style and Content." Issues in Clay: Western Canadian Sculpture, Edmonton: Latitude 53, 1982.

 

Hess, Thomas B. and Elizabeth C. Baker, eds. Art and Sexual Politics. Women's Liberation, Women Artists, and Art History, New Art Series, New York: Collier Books, 1973.

 

Hik, Jana, "In Roads, Sculpting a Career, Art imitating nature," Cottage, September/October 2004, 10-1. (see article on Cathryn Jenkins)

 

Hill, Charles C.  Canadian Painting in the Thirties. Ottawa: The National Gallery of Canada, 1970.

 

Hubbard, R.H. ed.  An Anthology of Canadian Art.  Toronto: Oxford University Press, 1960.

 

Jackson, A.Y.  A Painter’s Country. Memorial Edition.  Toronto/Vancouver: Clarke Irwin & Company Limited, 1976.

Jackson, Christopher E.  With Lens and Brush, Images of the Western Canadian Landscape 1845-1890.  Calgary: Glenbow Museum, 1989.  Published in conjunction with the exhibition of the same name April 1 to May 28, 1989, which traveled to the Mendel Art Gallery, Saskatoon; Art Gallery of Windsor, Windsor; Winnipeg Art Gallery, Winnipeg.

 

Jefferies, Susan, Canada - Clay Today, Toronto, ON: The George R. Gardiner Museum of Ceramic Art, c.2000. (see reference to John Chalke)

 

________ and Anne McPherson, White on White Contemporary Canadian Ceramics, Waterloo, ON.: Canadian Clay & Glass Gallery, 1996. (see reference to John Chalke)

 

Jonsson, Tomas, "The First 70 Years of the Alberta Society of Artists," Legacy Magazine, Winter 2000, 42-4. (see references to Joane Cardinal-Schubert, Helen Mackie, and Barbara Paterson)

 

Joslin, Mark, John Snow: Four Decades, Edmonton: Edmonton Art Gallery, 1989

 

Katz, Morry, "Lethbridge Commits to Public Art," Legacy Magazine, February-April 2000, 4-5. (see references to Karen Brownleee)

 

Kilgannon, Francine, "Oils on Display at Gushel Studio," The Pass Herald, 15 May 2001, 18. (an article on Chris Stoffel Overvoorde)

 

Klaszus, Jeremy, "Who are your favourite Alberta artists, Ed? 'Sharp young reporter' stumps Stelmach after funding announcement," FFWDWEEKLY, 31 January to 6 February, 2008, 4.

 

Kleiner, Fred S. and Christin J. Mamiya.  Gardner’s Art through the Ages, 12th ed.  Belmont, CA.: Wadsworth/Thomson Learning, 2005.

 

Koester, Allan J., "Nordic Ode, New Works by Les Manning," Ceramics Monthly, September 1996, 77-8. (an article on Chris Stoffel Overvoorde)

 

Koons, Joe, "A Collaboration in Temmoku," Ceramics Monthly, March 2005, 60-4. 

 

Krissoff, Sylvia, "A Fine Calling, Autobiography traces journey of an artist and a Christian," The Grand Rapids Press, 25 August 2002, J5.

 

Kuhn, Annette.  The Power of The Image. Essays on Representation and Sexuality.  London, Eng.: Routledge & Kegan Paul, 1985.

 

Kuno, Stephen, "American artist paints Pass," Crowsnest Pass Promoter, 15 May 2001, n.pg. (an article on Chris Stoffel Overvoorde)

 

Lamb, Adrienne, "Alberta artist takes on oil and gas industry," CBC ArtsCanada-Arts News, 11 December 2002. (reference to Peter von Tiesenhausen).

 

Lambton, Gunda. Stealing the Show: Seven Women Artists in Canadian Public Art. London: McGill-Queen’s University Press, 1994.

Laviolette, Mary-Beth.  An Alberta Art Chronicle: Adventure in Recent and Contemporary Art.  Canmore, AB.: Altitude Publishing, Canada, 2005.

 

________. "Review, Helen Mackie: New Work," Calgary Herald, 2 November 2002, n.p.

 

________.  75 years of art: Alberta College of Art + Design: 1926-2001.  Calgary: Alberta College of Art and Design, 2001.

 

Laycock, Brent, Ernest E. Riethman Retrospective, Lethbridge, AB: Southern Alberta Art Gallery, 1987.

 

Leduc, Marie, "Inside Out: Works on Paper by Garry Berteig," Artichoke, Summer 2000, 42-4.

 

Lehmann, Henry, "Prints rule in paper town, Trois-Rivières biennale features an eclectic mix of artists," The Gazette, 21 July 2001.

 

Lipman, Marci and Louise Lipman,  Twenty Painters/Twenty Paintings  Contemporary Canadian Art,  Toronto: Lester & Orpen Dennys Publishers, 1979.

 

Lord, Barry. The History of Painting in Canada: Toward a People’s Art. Toronto: New Canada Publications-NC Press, 1974.

 

MacDonald, Colin S.  A Dictionary of Canadian Artists. 5th ed., rev. and expanded (originally published 1971).  Ottawa: Canadian Paperbacks, 1997-.

 

Macduff, Alistair and George M. Galpin,  Lords of the Stone. An Anthology of Eskimo Sculpture,  North Vancouver, B.C.: Whitecap Books, 1982.

 

MacLaren, I.S.  “I came to rite thare portraits: Paul Kane’s journal of his Western travels, 1846-1848.”  American Art Journal, 21 no.2 (1989): 4-93. 

 

________.  “Paul Kane and the Authorship of Wanderings of an Artist.” In From Rupert’s Land to Canada, ed. T. Binnema, G. J. Ens and R.C. Macleod, 225-247. Edmonton AB: University of Alberta Press, 2001.

 

MacLeod, Jennifer, "Artist Portraits: Tom Willock,"  Galleries West, Summer 2003, 30.

 

________.  "Previews and Profiles: Ursula Reynolds,"  Galleries West, Fall/Winter 2004, 20.

 

MacTavish, Newton. The Fine Arts in Canada. Toronto: Coles Publishing Company, 1973.

 

Mainprize, Garry, Stardusters. New Works by Jane Ash Poitras, Pierre Sioui, Joane Cardinal-Schubert, Edward Poitras, Thunder Bay, ON.: Thunder Bay Art Gallery, 1986.

 

Maitland, Leslie, Jacqueline Hucker and Shannon Ricketts.  A Guide to Canadian Architectural Styles.  Peterborough, ON: Broadview Press, 1992.

 

Mandel, Charles, "Tea-rific art pours in." Edmonton Journal, 2 June 1998, C4 (see references to Arne Handley and Brenda Malkinson)

 

Marquardt, Janet and Stephen Eskilson.  Frames of Reference, Art, History, and the World.  New York: McGraw-Hill, 2005.

 

Maitland, Leslie, Jacqueline Hucker and Shannon Ricketts.  A Guide to Canadian Architectural Styles.  Peterborough, ON: Broadview Press, 1992.

 

McAlear, Donna,  Maureen Enns: Back of Beyond,  Calgary, AB.: The Nickle Arts Museum, 1988.  For an exhibition travelled in Australia and Canada 1988/89.

 

McDougall, Peggi,  Douglas Haynes: Recent Paintings,  Red Deer, AB: Skytone Printing and Graphics Ltd., 1988.

 

McFall, Tom, "Hot Glass, Alberta's glass artists are creating a very distinctive legacy," Legacy Magazine, February-April 2000, 10-13. (see reference to Darren Petersen)

 

Meecham, Pam and Julie Sheldon, Modern Art: A Critical Introduction, 2nd ed.  London: Routledge, 2005.

 

Mellen, Peter. The Group of Seven. Toronto/Montreal: McClelland and Stewart Limited, 1970.

 

Metella, Helen, "Public Display: Putting Art in its Proper Place," Legacy Magazine, Fall 2002, 36-40. (see references to Barbara Paterson, Janet Mitchell, and Peter von Tiesenhausen)

 

Middleton.  Design: D. Bartholomew.  Printed in Canada, n.d..  Catalogue on Janet (Holly) Middleton

 

Minor, Vernon Hyde.  Baroque & Rococo Art & Culture.  Upper Saddle River, N.J.: Prentice-Hall, Inc., 1999.

 

Modern Painting in Canada : A Survey of Major Movements in Twentieth Century Canadian Art.  Ed. Terry Fenton and Karen Wilkin.  Edmonton: Edmonton Art Gallery, c.1978.  Published in conjunction with the exhibition “Modern Painting in Canada: A Survey of Major Movements in Twentieth Century Canadian Art” as part of the cultural programme of the Commonwealth Games held in Edmonton, Alberta 1978.

 

Moray, Gerta. “‘T’Other Emily:’ Emily Carr, the Modern Woman Artist and Dilemmas Of Gender.” RACAR, Revue d’Art Canadienne, Canadian Art Review 26 (1999): 73-90.

 

--------. Unsettling Encounters: First Nations Imagery in the Art of Emily Carr. Vancouver: UBC Press, 2006.

 

Mosse, George L., The Image of Man. The Creation of Modern Masculinity, New York: Oxford University Press, 1996.

 

Murray, Joan.  Canadian Art in the Twentieth Century. Toronto: Dundurn Press, 1999. 

________.  Lawren Harris: An Introduction to His Life and Art. Toronto: Firefly Books, 2003.

__________. The Best Contemporary Canadian Art,  Edmonton: Hurtig Publishers, 1987.

________.  The Best of Tom Thomson. Edmonton: Hurtig Publishers Ltd., 1986.

 

Myers, Patricia, "Capturing the Garden," Legacy Magazine, Fall 2002, 51-2. (see article on Robert Sinclair).

 

________, "Waterton Winter Days" Legacy Magazine, Winter 2003, 36-7. (see article on Tom Willock)

 

Newlands, Anne.  The Group of Seven and Tom Thomson.  Toronto: Firefly Books, 1995.

 

Nobel Prize for Literature Bibliography

 

Nochlin, Linda.  Women, Art, and Power and Other Essays.  New York: Harper & Row, Publishers, 1988.

 

North, Peter. "MacDougall's train a-comin'" in Edmonton Journal, 14 November 2003, pg. not noted.

 

O’Brian, John. “Anthem Lip-Sync.” The Journal of Canadian Art History 21 no. 1/2 (2000): 140-9.

 

Parker, Rozsika and Griselda Pollock, Old Mistresses. Women, Art and Ideology. London: Pandora, 1989.

 

Partridge, Loren.  The Art of Renaissance Rome 1400-1600, Perspectives.  New York: Harry N. Abrams, Inc., 1996.

 

Pollock, Griselda.  “Missing Women Rethinking Early Thoughts on “Images of Women” in The Critical Image Essays on Contemporary Photography.  ed. Carol Squiers, 202-19. (Seattle: Bay Press, 1990).

________.  “What’s wrong with images of women?” in Looking on. Images of femininity in the visual arts and media.  Rosemary Betterton, ed., 40-8.  London: Pandora,1987.

________.  “Whose Images of Women? in Images of Women.  Corinne Miller, Lynda Nead, and Griselda Pollock, ed., 6-10.  Leeds, UK: Leeds City Art Galleries, 1989.

________.  “Women, Art and Ideology” in Woman’s Art Journal 4 (Spring/Summer 1983), 39-47.

 

Pottle, Barry and Ryan Rice,  Transitions 2. Contemporary Indian and Inuit Art of Canada,  Ottawa: Indian and Northern Affairs Canada, 2001, 28. (see reference to George Littlechild)

 

Ramage, Nancy H. and Andrew Ramage. Roman Art, 4th Ed.  N.J.: Pearson Prentice Hall, 2005.

 

Reid, Dennis.  A Concise History of Canadian Painting. 2nd ed. Toronto: Oxford University Press, 1988.

 

Render, Lorne E.  The Mountains and the Sky.  Calgary: Glenbow-Alberta Institute, 1974.

 

Richler, Noah, “The New Nature: John Hartman Revamps Canadian Landscape Traditions with his Aerial Urban Views.”  Canadian Art Spring 2007, 66-71.

 

Robertson, Sheila, "Forest figures", Western People, 19 August 1999, 8-10. (see article on Peter von Tiesenhausen)

 

Roche, Douglas, Bread Not Bombs. A Political Agenda for Social Justice. Edmonton, AB.: University of Alberta Press, 1999.

 

Roed Cochrane, Bente, Printmaking in Alberta 1945-1985, Edmonton: University of Alberta Press, 1989.

 

Rolfing, Sue, Leonard Lopp. Glacier Park Artist, Kalispell: Hockaday Museum of Art, 2004.

 

Rosenblum, Robert and H.W. Janson.  19th Century Art.  New York: Harry N. Abrams, Inc., 1984.

 

Ross, Mike, "MacDougall's train not to be missed," The Edmonton Sun, 14 November 2003, 16.

 

Russ, Joel and Lou Lynn, "Brenda Malkinson."  Contemporary Stained Glass. A Portfolio of Canadian Work,  Toronto: Doubleday Canada Ltd., 1985.

 

Russell, Charlie and Maureen Enns,  Grizzly Heart. Living Without Fear Among the Brown Bears of Kamchatka, Toronto: Random House Canada, 2002.

 

________, Grizzly Season, Toronto: Random House Canada, 2003.

 

Sandford, Robert, "Circumpolar, Les Manning's Sense of Northern Place," Ceramics: Art and Perception, No.25, 1996, 8-11.

 

Sandford-Beck, Janice, No Ordinary Woman, the Story of Mary Schäffer Warren, Calgary: Rocky Mountain Books, 2001.

 

Sax-Willock, Susan, "Discovering Don Frache" in Legacy Magazine, February-April 1999, 40.

 

Schael, Monica, "Pioneering Arctic Art," WHERE Calgary Magazine, Spring 2002, 13-5.

 

Schmidt, Alfred,  alberta contemporary drawings,  Edmonton: Edmonton Art Gallery, 1973.

 

Schreur, Rob, "Words and Works, Chris Stoffel Overvoorde," Dialogue (Calvin College Communications Board Art Journal) vol.17, no.7, 19-27.

 

Schulzinger, Robert D.  A Time For War: The United States and Vietnam, 1941-1975.  New York: Oxford University Press, c.1998.

 

Simons, Paula, "I may not know much about art, but I know what I like," The Edmonton Journal, 22 September 2004, B1, B6 (an article on Douglas Haynes).

 

Skidmore, Colleen, ed.  This Wild Spirit: Women in the Rocky Mountains of Canada.  Edmonton: University of Alberta Press, 2006.

 

Shadbolt, Doris. The Art of Emily Carr. Vancouver: Douglas & McIntyre, 1987.

--------. Emily Carr: A centennial exhibition celebrating the one hundredth anniversary of her birth. Vancouver: The Vancouver Art Gallery, 1975. Published in conjunction with the traveling exhibition “Emily Carr: A centennial exhibition celebrating the one hundredth anniversary of her birth” shown in three Canadian cities.

 

Silcox, David P.  The Group of Seven and Tom Thomson. Toronto: Firefly Books: 2003.

 

Sim, Stuart and Borin Van Loon.  Introducing Critical Theory.  Thriplow, Eng.: Icon Books Ltd., 2001.

 

Sniatycka, Ewa, Dennis Slater and Maureen Enns,  Through The Eyes of The Bear,  Calgary, AB.: Art Gallery of Calgary, 2000.

 

Snyder, James.  Northern Renaissance Art. Painting, Sculpture, The Graphic Arts from 1350 to 1575.  Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1985.

 

Stoffel Overvoorde, Chris, Passing the Colors. Engaging Visual Culture in the 21st Century, Grand Rapids, MI: William B. Eerdmans Publishing Co., 2002.

 

Sturdy, Ken,  1980 Staff Exhibition, Alberta College of Art,  Calgary, AB.: Alberta College of Art S.A.I.T., 1980.

 

Sturken, Marita and Lisa Cartwright.  Practices of Looking. An Introduction to Visual Culture.  Oxford: Oxford University Press, 2001.

 

Sundstrom, Margaret, Celebrating John Chalke Past & Present, Calgary, AB: The Triangle Gallery, 2002.

 

________, "John Chalke Bridging East and West," Artichoke, Special Edition #2, 2002, 43-5.

 

Three Hundred Years of Canadian Art: An Exhibition Arranged in Celebration of the Centenary of Confederation. R. H. Hubbard and J. R. Ostiguy. Ottawa: The National Gallery of Canada, 1967.

 

Tiefisher, Claudia, "Alberta's Creative Designs. Reflections of Landscape, Heritage and Flavour" in Where Magazine, Rocky Mountains, Summer 1999, 16-8.

 

Tingley, Ken, "Stories With The Smell of Woodsmoke About Them" in Legacy Magazine, February-April 1999, 4-5. (a review of Andy Russell's Campfire Stories)

 

Tippett, Maria,  By A Lady. Celebrating Three Centuries of Art by Canadian Women,  Toronto: Penguin Books, 1992.

 

Town, Harold and David P. Silcox, Tom Thomson: The Silence and The Storm. Second Edition. Toronto: McClelland and Stewart Limited, 1982.

 

Townshend, Nancy, A History of Art in Alberta 1905-1970, Calgary: Bayeux Arts, 2005.

 

Turner, John Davenall, The Artful Codger, Banff: Peter Whyte Foundation, 1978.

 

Vida, Sandra, "Art and Activism. The Journey of Joane Cardinal-Schubert" in Legacy Magazine, Winter 2003, 10-14.

 

Westra, Monique, "Dee Does Dada, Men Abreast Dee Fontans: Outing the Body Series."  Artichoke, Summer 2000, 34-35.

________. "Public Art: an essential component of the streetscapes, plazas and parks of all great cities." AlbertaViews, January/February 2002, 20-6. (see references to Barbara Paterson and Peter von Tiesenhausen)

 

Whitelaw, Anne.  “To Better Know Ourselves, J. Russell Harper’s Painting in Canada: A History.”  The Journal of Canadian Art History XXVI/2 (2005): 8-33.

 

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Williams, Terry Tempest, The Open Space of Democracy, Great Barrington, MA.: The Orion Society, 2004.

 

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________. "Medicine Hat South," Legacy Magazine, Winter 2000, 31-2.

 

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Wolterstorff, Nicholas, Twenty-Five Years as an American Artist, Chris Stoffel, Grand Rapids, MI.: Calvin College, 1986.

 

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