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Garry Berteig - canvas works

Garry Berteig - Fields of Pre-Existence

Fields of Pre-Existence, 2006
acrylic/canvas
45x72", framed
This is a painting based in the expanse of a prairie landscape where the horizon is visually a constant reference.

$10,500.00 CDN

 

Garry Berteig - Thunder Over Marshes
Thunder Over Marshes, 2006
acrylic/canvas
45x72", framed
There is a suggestion of the wind on the marsh waters and the advance of thunder. As a distant bolt of lightning comes down, light and dark coexist for a moment.

$10,500.00 CDN

 

Garry Berteig - Five Star Hotel
Five Star Hotel
acrylic/canvas
70x50", framed
Located in a mythical place where immortals eat the peaches of immortality, it will ultimately attract tourists from the contemporary world.

$10,500.00 CDN

 

Garry Berteig - Lights in a Puddle
Lights in a Puddle
acrylic/canvas
70x50", framed
After a rain one can look into puddles of water on the streets and see street lights, buildings, the moon and even stars reflected in them. The painting positions the viewer in an odd space looking into light from the past (star light) and the present (street light) mirrored on the surface of the water puddle.

$10,500.00 CDN

 

In over 30 years as an artist, Garry Berteig has been engaged in a struggle, the struggle that Martin Heidegger recognized as the true vocation of the artist. Whether as a painter or as an installation-video artist, Berteig has been prolific and indefatigable in engaging viewers in his efforts to achieve a certain truth and authenticity in his work. "Work" as the creative struggle of the artist and "work" as the finished art piece given to the viewer is what the artistic career is all about.

Berteig's method of painting is derived from three distinct sources: abstract expressionism, sculpture and traditional Chinese painting. At the University of Saskatchewan his teachers were Otto Rogers and Warren Petersen, who were active in the Canadian abstract expressionist movement that grew out of the Emma Lake workshops in the 1960s. From his teachers, Berteig learned an intuitive approach to art making and on canvas this meant laying down colour and allowing the image to form as he painted. From his early sculptural practice, Berteig discovered the sensual and physical qualities of surface. Experimenting with the effects of patina and texture on plaster and steel, Berteig established the foundation of his rich and colourful painting style. Traditional Chinese paintings, especially the painting of Ming and Sung dynasties, provided Berteig with the atmospheric spatial definition so prevalent in his work. The depth in Berteig's images is constructed through vertical placement of forms rather than the layering that is typical of Western art. This perspectival device has encouraged a more abstract view of the landscape as well as giving Berteig's work a strong verticality, quite opposed to the usual horizontality of Canadian landscape painting.

The common ground of Berteig's imagery is the landscape. The land looms large and magnificent in Berteig's paintings and is given equal significance in the smaller scale works on paper. Berteig grew up on a farm in Saskatchewan, a place where each farmyard was an isolated island on a large sea of land. The expansive vistas of sky and land - punctuated by disruptions caused by climactic conditions, geographic anomalies and human settlement - seem to have imbedded themselves into Berteig's sensibility. In 1984 he traveled to Greenland where he discovered yet another sea, one interrupted by deep fjords and icebergs. The light, the colour, and the primeval nature of Greenland left Berteig with vivid memories that he continually reconstructs in his work. The landscape is also Berteig's most potent metaphor. It is, one might say, both the outside and the inside of his work. As Martin Heidegger writes, an artwork "transport[s] us into the openness and thus at the same time transport[s] us out of the realm of the ordinary." The abstracted landscapes in Berteig's paintings provide an earthly ground we can recognize and feel at home in. At the same time, the image's abstracted form and indefinite structure suggests a more metaphysical and expanded human experience.

Inside Out: Works on Paper by Garry Berteig, Keyano College Review by Marie Leduc
Curator, Keyano Art Gallery
Ft. McMurray, AB 

ACADEMIC QUALIFICATIONS:

1997 Appointed Affiliate Professor to the Landegg International University, Switzerland  
1989 Master of Fine Arts, Painting Thesis: Metaphor Interpreted, University of Saskatchewan.  
1977 Bachelor of Education, Major in Art Education and Media, University of Saskatchewan  
1977 Professional "A" Teaching Certificate, Province of Saskachewan.  
1967 Bachelor of Arts, Type "E" (Fine Arts), Major in Sculpture, University of Saskatchewan.

TEACHING EXPERIENCE:

1990-03 Keyano College; Art fundamentals-Art 231, Drawing-Art 240, Electronic Media- Art 291/292, Painting- Art 312/313, Sculpture- Art 360/361.  
1999 Landegg International University, Switzerland; Painting  
1990-94 National Art School of Greenland; Spring sessions (4), Guest artist/teacher in painting.  
1989-90 University of Saskatchewan; Art lll.6, Art 211.6, (Painting & related work). Art 114.6, Cll (Sculpture & related work)  
1987-89 University of Saskatchewan; Art 111.6, Art 211.6, Art 311.6, (Painting & related work) for the University of Saskatchewan, Extension Department.  
1986-87 Norman Mackenzie Gallery outreach program, Artists with their work.  
1972-74 Workshop leader for Talens C.A.C.Ltd.. Provided workshops for teachers and art groups across Canada  
1969 Ed. Cur S340 summer session, U.of S. Saskatoon, Sask.

PAPERS and PRESENTATIONS:

2002 “Nearness Drawing Closer” presentation to the plenarary session ABS Conference Civilization

1999 Keynote address to the Converging Realities Conference, Landegg International University, Switzerland

1996 “The Fashioner” The Transformative Power of the Arts - The University of Saskatchewan

1996 “The Fashioner” to the Arts Section of the 20th Annual Conference of the Association For Baha’i Studies – Edmonton Convention Centre

1993 “The Fashioner” Aarhus Kunst Akademi, Aarhus, Denmark.

1993
“About Art and Soul” Keyano College Lecture Series
“About Art and Soul” Yukon Arts Centre Public talk
“About Art and Soul” Gronlandske Landsbibliotek public talk "About Art and Soul"

1987 "Sense of Content in Painting" to The Arts Section of the Converging Realities Conference at Princeton.

ARTIST IN RESIDENCE:

1999 Landegg International University, Switzerland  
1995 Aarhus Kunst Acadami, Denmark  
1994 National Art School of Greenland (also 1993, 1992, 1991,)  
1993 Norman McKenzie Art Gallery, Regina, Saskatchewan.  
1993 Yukon Arts Centre  
1992 Winnipeg, Art Gallery  
1987 Norman McKenzie Art Gallery, Regina, Saskatchewan.

EMPLOYMENT HISTORY:

1990-03 FACULTY OF ART - Teaching and collaboration in the development of a visual art program for Keyano College, Fort McMurray, Alberta. From 1993 until 1999 this included being the Director of the Boreal Forest Institute of Indigenous Arts.  
1993 –99 DIRECTOR OF THE BOREAL FOREST INSTITUTE OF INDIGENOUS ARTS Contract with Established First Nations Artists to provide a series of two-week periods of instruction to First Nations Art students.  
1994-02 BERTEIG ART AND INDUSTRY Manage and contract with industry for site beautification, art leases, and installations for the workplace. Maintain a working studio in Fort McMurray.  
1985- 90 STUDIO ARTIST Self-employed as an artist in Saskatoon. Establish a co-operative studio that is still active.  
1984-85 MEDIA SPECIALIST - DIRECTED video series “Thursday’s Child” in the Department for the Education of Exceptional Children, University of Saskatchewan. As the director I interpreted and managed all production values and budgets.  
1976-85 ADMINISTRATOR GRADE Vl - INSTRUCTIONAL DESIGN AND MEDIA SPECIALIST Division of Audio Visual Services, University of Saskatchewan. I managed all aspects of media production; creative, technical, budget and administration.  
1984 TELEVISION DIRECTOR Directed a series of eight, one-hour interactive television programs titled "Mondays, Marbles, and Chalk" for the Department for the Education of Exceptional Children, University of Saskatchewan. Consultation, budgeting, and administration of all production values.  
1981-82 MEDIA SPECIALIST. Government of Saskatchewan and the Co-operative College of Canada, Saskatoon. Seconded from the University of Saskatchewan for a period of 14 months as a media expert and producer for the Information Delivery Project.  
1974-75 RESEARCHER & PRODUCER Talens C.A.C. Ltd. Art Department, University of Saskatchewan. Developed a Visual Bank related to concerns and developments in the studio programs of the Art Department.  
1972-74 MARKETING REPRESENTATIVE Talens C.A.C. Ltd. St. Lambert, P.Q. My job was to deliver workshops to groups of teachers and art clubs throughout Canada on various art materials and their applications.  
1972-81 FREELANCE BROADCASTER Canadian Broadcasting Corporation. Contributed on a free-lance basis to CBC Radio-This Country in the Morning and to CBC TV – Ninety Minutes Live  
1971-72 PROGRAM DESIGNER Winnipeg Health Sciences Centre. Prepared two slide shows on pregnancy and the development of the foetus. Also produced six videotapes on Family Therapy for the Department of Psychiatry. This material was used for seminars and conferences.  
1970-71 FREELANCE BROADCASTER  CBC Radio, Toronto. Worked on a freelance basis and produced programs for Ideas, Concern and Sunday Supplement. I also worked with Alex Frame on the proposal for CBC Radio II.

PROFESSIONAL and COMMUNITY ACTIVITIES:

2002 Portrait in THE PERFECT DIVORCE a documentary video broadcast by Global Network  
2002 Appointed to chair visual arts committee for the 2004 Arctic Winter Games  
2001 Co-founder of OOMIND.COM a revolutionary grassroots online open educational system.  
1999 Receive Professional Development leave of six months to write ”The Fashioner”  
1997-98 Appointed to the Presidents Task Force on Distance Delivery for Keyano College  
1997 Elected as Faculty Representative to Board of Governors of Keyano College  
1997 Appointed Affiliate Professor to the Landegg International University, Switzerland  
1994-01 Establish and manage Berteig Art and Industry  
1994-02 Elected to the Regional Baha’i Council of Alberta  
1993-99 Establish and direct the Boreal Forest Institute of Indigenous Arts  
1993-94 Establish the first art classes for First Nations students in Fort Chipewyan.  
1993-98 Establish and manage the Keyano/Suncor Art Lease Program  
1993 Appointed to the Instructional Technology Sub-committee (academics) in Keyano College  
1993 Re-elected to the Nistawoyou Friendship Centre Board of Directors  
1987 Appointed to the Provincial Steering Committee - Native Friendship Centres in Alberta  
1993- 01 Establish and manage the first co-operative artist’s studio in Fort McMurray, Alberta.  
1992 Appointed to the Instructional Technology Committee in Keyano College (College Wide)  
1992 Elected by Faculty to the Ethics Committee in Keyano College  
1992 Elected to the Nistawoyou Friendship Centre Board of Directors  
1991 Attend NeXT Computer Developers Training in San Francisco - registered as a NeXT Developer  
1991 Elected to the Academic Council at Keyano College  
1987-90 Adjudicator for O.S.A.C. (Organization of Saskatchewan Arts Councils)  
1985-87 Appointment to Canada Council Explorations Jury  
1977-90 Develop and maintain a co-operative artist studio in Saskatoon

LIST OF SOLO EXHIBITIONS:

2002 Keyano College Faculty Exhibition, November 2002 , Paintings  
2002 Svalborg Norway, October 2002, Paintings  
2000 Keyano College Faculty – Paintings – Inside Out (a retrospective of works on paper)  
1999 Landegg International University, Switzerland, - Paintings  
1997 Keyano College Faculty - Paintings  
1995 Ridehuset, Aarhus, Denmark. FnsTopmode om Social Udvkling - Paintings  
1994 National Museum of Greenland - Paintings  
1993 Yukon Arts Centre, Whitehorse, Yukon - Paintings  
1990 Kunstudstilling, Nuuk, Greenland - Paintings  
1989 Gordon Snelgrove Gallery, University of Saskatchewan - Paintings  
1989 National Exhibition Centre, Swift Current, Saskatchewan. - Paintings and Sculpture.  
1988 Bonnie Kagan Gallery, Toronto, Ontario. - Paintings and Sculpture.  
1988 Francis Morrison Gallery, Saskatoon, Saskatchewan. - Paintings and Sculpture.  
1987 Moose Jaw Art Gallery, Moose Jaw, Saskatchewan. - Paintings.  
1987 Norman McKenzie Art Gallery, Regina, Saskatchewan. - Paintings.  
1986-87 Artists with their work. Circulated by Norman McKenzie Art Gallery - Paintings  
1984 Hett Gallery, Edmonton, Alberta. - Paintings.  
1980  College of New Caledonia, Prince George, British Columbia. Paintings and sculptural objects.  
1977 Yorkton Art Centre, Yorkton, Saskatchewan. - Xerox.  
1976 Mendel Art Gallery, Saskatoon, Saskatchewan, “Image/Image” - Video

LIST OF TWO PERSON EXHIBITIONS:

1993-95   
"Spirit Hosts Join the Elements" Video/collaboration with Jessie Kleeman  
"The FLYING KAYAK an Exhibition of Contemporary Greenlandic Art"
1. MUSEUM OF MODERN ART BRANDTS KLEEDE FABRIK,ODENSE, DENMARK.
2. The NORDIC ARTS CENTRE, SVEABORG, HELSINKI, FINLAND Mar.94 to June 94.
3. THE HENIE-ONSTAD MUSEUM OF ART, OSLO, NORWAY June 20/94 - Aug.94
4. MILLESGARDEN, ARTSMUSEUM, STOCKHOLM, SWEDEN Oct - Dec 1994  
1987 Virginia Christopher Gallery, Calgary, Alberta. - Paintings  
1987 Bonnie Kagan Gallery, Toronto, Ontario. - Paintings.

AWARDS & GRANTS:

2001 Keyano College PD to research Mediums at Golden Artists Colours, New York State  
1999 Keyano College PD to Attend “STORY”- screen writing by Robert McKee.  
1999 Canada Council Travel grant to Switzerland.  
1993 Keyano College PD to the Matisse Exhibition, NYC.  
1991 Norman McKenzie Art Gallery, Honoured Artists.  
1990 Canada Council Explorations for Plato's Shadows.  
1990 Travel grants to Greenland, awards from Greenland Home Rule Government, and Saskatchewan Arts Board.  
1987-89 Graduate studies scholarship, U.of S. Saskatoon, Sask.  
1988 Joan Kershaw Publications Award, 'Thursday's Child'. Video.  
1986 Joan Kershaw Publications Award, 'Mondays, Marbles and Chalk'. Video.  
1985 AMTEC Award of Excellence. 'Mondays, Marbles and Chalk'. Video.  
1984 Saskatchewan Arts Board materials grant.  
1982 Saskatchewan Arts Board materials grant.  
1981 Golden Sheaf Award. 'Shift'. Spontaneous Human Category. Yorkton International Short Film and Video Festival. Yorkton, Saskatchewan.  
1981 AMTEC Award of Excellence. 'Shift'. Video.  
1978  Saskatchewan Arts Board travel assistance to Japan.  
1978 Canada Council travel grant to Japan.  
1977  Canada Council Project grant.  
1977 External Affairs, Cultural Affairs Division, travel to New York City.  
1977 Saskatchewan Arts Board travel assistance to New York.  
1977 Canada Council travel grant to Barcelona, Spain.  
1975  Saskatchewan Arts Board materials grant - video.  
1968 Saskatchewan Arts Board materials grant - painting.  
1966 Saskatchewan Arts Board materials grant-sculpture

PUBLIC AND CORPORATE COLLECTIONS:

Alberta Foundation of the Arts Canadian Pacific, Calgary, AB
Syncrude Canada Ltd.
Suncor/Keyano Permanent Collection
Landegg International University
Golden Artist Colors, NY
Yukon Arts Centre, Whitehorse, Yukon
L. Roberts Inc., Fort McMurray,
Kunst Circle Two, Nuuk, Greenland Takanna Inc., Nuuk, Greenland
Tskiji University, Japan United Oil and Gas, Calgary, Alberta
Sask. Securities Commission, Regina, Sask.
Edmonton Art Gallery, Edmonton , AB
Financial Trust Company, Toronto, Ont.
Peelco Industries, Toronto, Ont.
Central Guaranty Trust, Toronto, Ont.
Central Capital Corporation, Toronto, Ont.
Saskatchewan Arts Board, Regina, Sask.
Toronto Dominion Bank, Toronto, Ont.
National Film Board Stills Division, Ottawa, Ont.
Norman McKenzie Art Gallery, Regina, Sask.
City of Regina, Sask.
Canada Xerox, Calgary, Alberta
University of Saskatchewan, Saskatoon, Sask.
University of Alberta, Edmonton, Alberta
Mendel Art Gallery, Saskatoon, Sask.
Saskatoon Public School Board, Saskatoon, Sask.
National Art School of Greenland, Nuuk, Greenland
Greenland Home Rule Government, Nuuk, Greenland
Baha'i International Office at the UN, New York, NY
Richmond Nychuk, Regina, Sask.

 

Artist's Website
 

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This page was last edited August 1, 2008
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